The Midnight Meat Train


Horror / Mystery / Thriller

Rotten Tomatoes Critics - Certified Fresh 72%
Rotten Tomatoes Audience - Spilled 50%
IMDb Rating 6.1 10 54314


Uploaded By: FREEMAN
Downloaded 24,038 times
November 16, 2018 at 02:11 PM


Leslie Bibb as Maya
Brooke Shields as Susan Hoff
Vinnie Jones as Mahogany
720p.BLU 1080p.BLU
891.82 MB
23.976 fps
1hr 38 min
P/S 3 / 40
1.66 GB
23.976 fps
1hr 38 min
P/S 6 / 38

Movie Reviews

Reviewed by Anyanwu 5 / 10

"Please...step away from the meat" Spoilers!

That was the funniest line in the movie, and sadly the movie is just OK. I was upset when I heard that Lions Gate was going to dump this flick on DVD. I even wrote Joe Drake an email pleading that it get a regular release. (he's probably laughing at me right now) I stood in line with a butt load of folks to see the midnight screening last night at the Nuart in Los Angeles. I stood next to the director. I was standing near the writer too (who seemed either drunk or stoned when he first walked in, but then, maybe that's just how he is on the regular). I was excited. This was the one time it would play in a theater near me.

I saw it.

A couple of problems for me.

1. Pacing. There seemed to be scenes that slowed the story down and derailed the momentum. I wanted to feel like the protagonist was spiraling into a world that he should not have knowledge of, and yet he is drawn to it like a moth to a flame. Perhaps more editing. Especially the love scenes.

2. The Girlfriend. Men, please stop making women in your movies cliché, shrill and annoying. There were forced love scenes and quite frankly, the actress added to the slow pacing. She should've been proactive and supportive of the leads journey into hell. And do we need to see women falling down while running away YET AGAIN?! Conflict is essential in a story, but it should be natural conflict that pushes the story forward, not contrived and coming off as nagging. Every time she came on screen I just waited for her to get off screen to get our guy back into the story. Side note, I thought Brooke Shields should've been the chick. She was great. Cold. Calculating. The type that would push her man further into the pit. That's the woman the lead needed, and he got the stereotypical girly-girl. Boo!!!! 3. The Butcher. He was creepy, but I felt that we shouldn't have seen him fully until halfway through the movie. The scary moments in any film is the fear of not knowing. In this movie we got glimpses of the Butcher, creating tension and fear for Kaufman. But soon after we see him fully as a regular human who kills people, it moved from horror into a slasher-suspense movie. It should've been more than that. The supernatural element should've been pushed more with The Butcher. The short story presented something epic and ancient in scope. The Butcher was a necessary job that had to be done to keep The City running. Once the film became a simple slasher-gore fest (which is not bad in any movie as long as the story works with it and we care about the leads), the Butcher just became a run-of-the-mill serial killer, no different than Jason, Michael Meyers or Freddy Fruger. Those guys did their killings for revenge. The Butcher has to kill to keep order in the human world. Just like ancient Greeks and Romans and other cultures that made human sacrifices to appease the Gods, an offering if you will.

That was the reveal in the short story. In the movie, he just kills for some nasty monsters we barely see at the end. Bad! The Butcher had noble work to do. Nasty work yes, (like any butcher in real life who kills the meat for society to consume. Most people eat burgers and steaks without thinking about what has to be done to the animals that provide that great meal. Please, go visit a slaughterhouse.)but it must be done for the rest of us to survive. This movie missed that point at the end.

4. Some of the kill sequences were just there to see how cool the CGI effects could be done. It stopped being scary to becoming typical Eli Roth/Saw 3-5 schlock. How many cool ways can we kill a person? Horror, to me anyway, should be horrific, not funny. Once it becomes funny at the expense of not really scaring people, then you've lost me. Granted, one of the funniest lines in the movie was when the subway train conductor tells Kaufman (after the train has ended its run) "Please, step away from the meat." The humor is surreal and it works at that moment because of the banality of the line. The conductor could've been saying, "Please step away from the ramp/shoe/dog etc". The conductor has a job to do, and so does the Butcher, so please step away from our work. Classic.

All that said, the movie is a mixed bag. I'd be curious to see what Clive Barker had to say. The film looks great, nice atmosphere, set design etc. I might've recast the two leads, but I'm glad I got to see it in a theater. I had the opportunity to get a real movie experience with the film.

Reviewed by FilmFatale 5 / 10

Just Didn't Work for Me

"Midnight Meat Train" is the story of a photographer who wants to capture the real heart of New York City. A chance encounter with a model who's being threatened by some toughs in a subway station leads to his discovery and eventual obsession with what appears to be a serial killer who finds his victims on the late-night trains.

I know this one has its fans, and MMT had its moments, with some refreshing gore. However, it just didn't work for me on any level. The leads were bland and I never cared about them. The pacing was off and never gave me any sense of dread - people just stumbled around, got on the subway, got killed, the photographer started to watch, go crazy, then solve the mystery. And there were too many ridiculous fight scenes.

At its heart, "Midnight Meat Train" had an interesting story once it got to the end. But I think it would have worked better as a short film, because I felt it was way too padded to make any sort of impact.

Reviewed by zyxek 7 / 10

A Good Ride

I saw this movie just now at a local discount theater, and I certainly can't say that I wanted my dollar back. The worst thing a horror film can be is boring, and Midnight Meat Train is never dull. Neither is it quite as exciting or tense as would be ideal, but you take what you can get.

Based on Clive Barker's classic short story, the film is about photographer Leon (Bradley Cooper), who wants to capture on film the "true" New York City. He has to sell photos of crimes and accidents to tabloids for money, though. He is given a meeting with a legendary art dealer (Brooke Shields), and accepts her advice to explore individual places more closely, in hopes of finding the image that impresses her and gets him a break in the art world.

He ends up encountering strange doings during late-night subway rides, and becomes obsessed with a silent, severe butcher (Vinnie Jones) who bludgeons passengers to death on a regular basis.

The movie works mainly because of its director. Ryuhei Kitamura might be the best visual stylist working in the horror genre. The scenes of suspense, intrigue, and horror are all inventively shot, while never distracting from what's actually going on. His timing of scares, however, could use some work. Jeff Buhler's script has quality dialog, good pacing, and is generally efficient.

The greatest weakness of the film is its lead actor. Cooper lacks the charisma and intensity necessary to involve the audience fully in Leon's descent into the underworld.

But I said before, it is never boring. The time passes easily, blood flows freely, but only when it needs to, and it is a joy to look out. It deserved a much wider and better promoted release, and is certainly worth seeking out.

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